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without question Gilman's most famous piece is her short story "The Yellow Wallpaper", which became a best-seller of the Feminist Press. She wrote it on June 6 

and 7, 1890 in her home of Pasadena, and it was printed a year and a half later in the January 1892 issue of The New England Magazine. Since its original printing, 

it has been anthologized in numerous collections of women's literature, American literature, and textbooks, though not always in its original form. For instance, 

many textbooks omit the phrase "in marriage" from a very important line in the beginning of story: "John laughs at me, of course, but one expects that in 

marriage." The reason for this omission is a mystery, as Gilman's views on marriage are made clear throughout the story.

The story is about a woman who suffers from mental illness after three months of being closeted in a room by her husband for the sake of her health. She becomes 

obsessed with the room's revolting yellow wallpaper. Gilman wrote this story to change people's minds about the role of women in society, illustrating how 

women's lack of autonomy is detrimental to their mental, emotional, and even physical wellbeing. This story was inspired by her treatment from her first husband. 

The narrator in the story must do as her husband, who is also her doctor, demands, although the treatment he prescribes contrasts directly with what she truly 

needs — mental stimulation and the freedom to escape the monotony of the room to which she is confined. "The Yellow Wallpaper" was essentially a response to 

the doctor who had tried to cure her of her depression through a "rest cure", Dr. Silas Weir Mitchell, and she sent him a copy of the story

The Yellow Wallpaper, by Charlotte Perkins Gilman

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